Initial considerations
When starting a painting I try to consider my subject, form and content. The what, the how and the why.
- Subject - the what
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First the what not. I'm not good at painting complex textures (yet) so I find landscapes full of foliage difficult. My architectural landscapes are better but I sometimes feel the art belongs to the architect and I'd be cribbing from them. Still lifes can be fun but unless they tell a good story they can feel a bit contrived and a bit… static.
I like painting portraits of both people and animals. I particularly like spending my time looking at pretty girls so I think we have a winner.
- Form - the how
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I like both acrylics and oil paints. Once they're varnished they're pretty much indistinguishable. The drying time is the deciding factor. . Acrylics dry fast you don't have so much time to work with them. Being rushed is unpleasant. Oils dry slowly and you may have to wait a good while between layers. So a first layer of acrylics followed by over layers of oils hits the sweet spot.
I've been admonished for painting on small canvas boards so I'm also scaling up somewhat to a large stretched canvas.
- Content - the why
- This painting won't have a message as such - I don't need any pretext to paint a pretty girl. The lighting drives the character of a painting, I'd like to go for dramatic chiaroscuro. I may throw a few momento-mori items too.
I'm lucky enough to know some beautiful models through going to life drawing sessions. I invited @FrancqisFlow to my home for a photo shoot and got some great images. She was a delight to work with.